Voici venu le temps

Warriors and female prisoners; landlords and peasants: they’re all passengers of Obitania, the rural landscape where another of Alan Guiraudie’s strange lucid dreams takes place. With anachronistic realism (and showing the other side of his first feature’s particular dreamy style) Guiraudie maintains his auteur fetishes with an eye that is as compact as it is non-transferable. Somewhere between [...]

more more films