Los actos cotidianos

If you intended to make a diachronic study of certain lifestyles of the Greater Buenos Aires’s west area, a few of Perrone’s films would be enough to draw a thorough map of many decadences: from Graciadió (1997) to Peluca y Marisita (2001), and from there, to Los actos cotidia-nos. Set mostly inside a house that seems isolated from the present day (except for the news that travel through the TV [...]

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