La mujer sin piano

A waxer’s long night; or misanthropy as one of the Fine Arts. In his second film, Rebollo (Lo que sé de Lola) films the escape of a woman who’s little over fifty and has a routine life, with an independent son who is just an untimely voice on the phone and a taxi driver husband who looks like Mr. Bean. The film has a strange sense of humor; for example, it uses an epileptic attack to solve a g [...]

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