Stromboli, terra di Dio

The first of the three films the Italian filmmaker did with Ingrid Bergman –who would become his wife soon after– raised its share of controversy among the fundamentalists of Neorealism. Bergman was a Hollywood star, while Rossellini was the creator of the most significant films of that movement that seemed to go precisely against the star-system (Open City, Paisan and Germany Year Zero). At th [...]

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