Frente al mar

Since his first film, the extraordinary Manuela (1975), GGP tried to give weight to the talks over the actors so that they almost theatrically declaimed. So dialogues in Vivir en Sevilla and especially those of Frente al mar can seem so artificial, when in fact stem from a rhetoric strategy (that borders on the metalinguistic) with the Andalusian accent and the way that Castilian is to build id [...]

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