A religiosa portuguesa

Anyone who has seen an Eugène Green film (Le Monde Vivant was in Bafici’s 2004 competition) knows his are eccentric, that his films divide, that they can fascinate as well as irritate; that his films can be about people who send letters, about strange historic overlaps (sometimes, with strange and ineffable nostalgias or an equally strange curtness), about ogres and castles. Or Portuguese nuns, [...]

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