Sewer

What does the group of new young filmmakers from Philipines and Jacques Rivette have in common? Very few things, but they both seem to agree on the fact that a film’s length is essential to create its atmosphere. In Sanchez’s film, length is a purely sensorial issue: everything can be erased, everything is a remnant, there’s nothing apart from the image’s present. Guerrilla filmmaking or cinema [...]

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