Ruhr

Seven shots in high definition video: the movie that marks the beginning of the age of James Benning a.c. (“after cinema”, i.e., after he left the format he chose for almost forty years because of the current state of the 16 mm, among other things) is, as one could expect from the work of an unruffled troublemaker, a film that looks over to a past time. Not cinema’s past, but the past of James [...]
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121 min