Del punto a la forma

 

This short film is Martin Blaszko’s only incursion in cinema so far. He shot it alone around 1953 (except for some shots he took with the help of his wife Eugenia). In it, Blaszko uses animations, perspective games, and other advantages of contemporary art to discuss the geometric laws that govern most of his work, as well as the issues he still gets obsessed with, like bipolarity, monumental [...]

Runtime

15 min