Day by Day

top october 12

09:00 h
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Osmego Dnia Theater’s work method

WorkshopsElkafka Espacio Teatral

Workshops require previous inscription and selection, open until September 25th. For further information please write to: talleresfiba@festivales.gob.ar

Group improvisation is a creative method developed by Theatre Osmego Dnia. It is a process of building a performance from its foundations – a way of “writing on the stage”, whose original element is actor’s improvisation on the before formulated subject.

Ewa Wojciak, Tadeusz Janiszewszki, Marcin Keszycki y Adam Borowski – Poznan / Poland

Time: from 9am to 1pm

This workshop lasts 3 days: October 12th, 13th and 14th.

09:00 h
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Public Theaters

Symposiums

The main goal of this meeting, coordinated by Guillermo Heras, is to discuss different cooperation, interrelation, and interchange strategies in the specific area of activities carried out by the Public Centres of Stage Production, whether they are local, regional, autonomous, provincial, national or transnational.

For further information: fiba@festivalesbsas.gov.ar

10:00 h
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Lamp scenic movements

WorkshopsIUNA - Sede Venezuela

Workshops require previous inscription and selection, open until September 25th. For further information please write to: talleresfiba@festivales.gob.ar

A group of people will be instructed in this unsual dance movement. This group will later work on the presentation of Are you really lost? during FIBA.

Octavio Zeivy – México DF / Mexico

Time: from 10am to 2pm

This workshops lasts 5 days: from October 12th to October 16th.

10:30 h
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Mapiko dance and masks

WorkshopsSala Ana Itelman

Workshops require previous inscription and selection, open until September 25th. For further information please write to: talleresfiba@festivales.gob.ar


Mapiko’s dance is originally from Cabo Delgado, a province situated in the north of Mozambique. It has been created by men, as a way of confronting women, who were the ones that had the power in that community, since they cultivated the land and carried their children in their wombs.

Time: from 10:30am to 12:30am

This workshop lasts 2 days: October 11th and 12th.

11:00 h
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Tradicional Mozambiquean music

WorkshopsEspacio Ecléctico

Workshops require previous inscription and selection, open until September 25th. For further information please write to: talleresfiba@festivales.gob.ar

This workshop is aimed at musicians who attend the workshop with their own instruments so that they can get into the mozambiquean’s rhythms, melodies and history of the traditional instruments of this culture.

Cheny Wa Gune – Maputo / Mozambique

Time: from 11am to 1pm

This workshop lasts 2 days: October 11th and 12th.

15:00 h
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A herança (1970)

Hamlet CameraHarrods

A herança (1970)
Brazil, 90 minutes

Direction: Ozualdo Ribeiro Candeias
Script : Ozualdo Ribeiro Candeias
Production: Ozualdo Ribeiro Candeias, Antônio Alves Cury, Otávio Fernandes, Cleuza Rillo and Virgílio Roveda
Cinematography: Ozualdo Ribeiro Candeias
Staging: Luiz Elias
Music: Vidal França, Mario Litwin and Fernando Lona
Cast: David Cardoso, Bárbara Fazio, Rosalvo Caçador, Américo Taricano, Deoclides Gouveia, Zuleica Maria, Agnaldo Rayol, Túlio de Lemos and João Batista de Andrade

In opposition to the intellectual slanting of the cinema novo, Ribeiro Candeias proposed a marginalized cinema. He moves Hamlet to the sertão, where Omeleto’s tragedy (interpreted by David Cardoso, a handsome man of the time) occurs without direct sound, with dialogues and monologues with subtitles, in a permanent dialogue with popular music.

18:00 h
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Gamlet (1964)

Hamlet CameraHarrods

Gamlet (1964)
USSR, 140 minutes

Direction: Grigori Kozintsev
Translation: Boris Pasternak
Script: Grigori Kozintsev
Cinematography: Jonas Gritsius
Staging: Ye Makhankova
Production design: Yevgeni Yenej
Music: Dmitri Shostakovich
Cast: Innokenti Smoktunovsky, Mikhail Nazvanov, Elza Radzina, Yuri Tolubeyev, Anastasiya Vertinskaya, Vadim Medvedev, Vladimir Erenberg and Stepan Oleksenko


Widely considered one of the most powerful and accurate versions of Shakespearean tragedies, the high contrast photography, the tough landscape and Shostakovich’s music in Gamlet constitutes an abominable and decadent space, without the need of adopting a naturalist code so that the film results in “cinematographic”.

19:00 h
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Buenos Aires / Argentina: Prometeo. Hasta el cuello

ShowsTeatro del Abasto

Santillán works on texts by Esquilo, to tell us about political affiliations in our own country; it will make us think about it, and also, about the impossibility of undergoing tragedies in a world that has no more myths. Augusto Pontoni will be the main character in this story, interpreting a man who used to be very powerful, but that now has to keep a low profile, since he is in risk of being eliminated by his own colleges.

19:00 h
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Buenos Aires / Argentina: Rocío (o el paisaje)

ShowsEl Camarín de las Musas

Rocío (o el paisaje) suggests the subject of splitting in two: one character, two bodies, one story, and several viewpoints, is the primary material upon which Panno builds this play that uses the insights that, through speech, the character shares, while thinking at the same time, how that same story would be seen by a cow who watches it riding by rapidly on the road.

20:00 h
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Santiago / Chile: Clase

ShowsTeatro Payró

There are two characters; a professor and a student who are inside the class, discussing their points of view on politics, while outside there is a student demonstration claiming for their rights. It is the famous Marcha de los Pingüinos (Penguins March) which took place in 2006. Calderón uses this setting to confront two generations which live in the same country, but that haven´t experienced the same story nor the same tragedies.

21:00 h
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París / Francia: La Comisión central para la infancia

ShowsTeatro del Pueblo

Childhood´s Central Commission were a set of institutions –around 50 in France– that were dedicated to recover and save nearly 15,000 children who were left orphans after the war, stripped of their loved ones and of their traditions also. In this one-man-show, Lescot lends his body and his voice to thousands of children ,as a way to make use of the theatre to preserve the memories. A highly moving and intimate performance.

21:00 h
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Buenos Aires / Argentina: Adela está cazando patos

ShowsTeatro del Pueblo

This version of Shakespeare's Hamlet comes from the province of Formosa.It makes subtle use of this text to show us a caustic picture of Argentine politics, corruption, and violence. It is very significant that Hamlet is represented by a woman, Adela, who will be in charged of keeping memories alive.

21:00 h
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Buenos Aires / Argentina: Dóciles y útiles

ShowsIUNA - Sede Venezuela

The institution these automats belong to, has decided to organise the 11th Inter-State Contest and demands, for the event to be successful, that their young bodies produce all the necessary they need, in order to win. Those who disobey will be murdered. This performance shows, through humour, the whole universe of production by putting special emphasis on the alienation and the human being’s loss of essence.

21:00 h
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Buenos Aires / Argentina: Ilusión

ShowsEl Camarín de las Musas

A spider and a mirror will be the only set decoration that will welcome this 1700’s dressed couple. From that moment on, the music will be marking the distance and the closeness of the bodies, while other disciplines like magic demonstrations, appears on stage to collaborate in the creation of an oniric atmosphere that is, basically, the raw material used by Mazur.

21:00 h
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Buenos Aires / Argentina: Tren

ShowsTeatro Anfitrión

A group of members of some more commercial than traditional religion, take a train at Constitución station towards the Atlantic coast to take part in a spiritual meeting. This idea is the excuse that uses Piel de Lava to put on stage a performance that is highly supported by the drama of the actresses, while a multimedia device contributes with dynamism by the projecting the road through the window.

21:00 h
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Hamlet (1920)

Hamlet CameraComplejo Cultural Cine Teatro 25 de Mayo

Hamlet (1920)
Germany, 111 minutes

Direction: Sven Gade - Heinz Schall
Adaptation: Erwin Gepard
Production: Asta Nielsen
Cinematography: Curt Courant and Axel Graatkjaer
Art direction: Sven Gade and Siegfried Wroblewsky
Cast: Asta Nielsen, Fritz Achterberg, Mathilde Brandt, Paul Conradi, Anton De Verdier, Lilly Jacobson, Hans Junkermann, Heinz Stieda, Eduard von Winsterstein
Live Music Accompaniment: Seronoser Quartet, under the direction of Marcelo Katz.

In this version, which was Germany’s first cinematographic success, the prince of Denmark is, actually, a princess whose gender has been kept a secret to the townspeople since her birth, so that she could succeed his father to the throne. Playing the major role is one of the most well known divas of silent films, Asta Nielsen, also producer of the film.

21:00 h
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Hamlet (1990)

Hamlet CameraHarrods

Hamlet (1990)
United States, 165 minutes

Cameras direction: Kirk Browning
Scene setting: Kevin Kline
Production: Kimberly Myers and Iris Merlis
Edition: Girish Bhargava
Production design: John Arnore and Robin Wagner
Music: Bob James
Cast: Kevin Kline, Dana Ivey, Brian Murray, Diane Venora, Peter Francis James, Josef Sommer, Michael Cumpsty, Don Reilly, Robert Murch and Philip Goodwin


Originally produced for New York’s Shakespeare Festival, Kevin Kline’s setting was meticulously reproduced for TV cameras. The result consitutes an invaluable register of the different conceptions of theater, theatricality and acting in the contemporary american scene.


23:00 h
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Rosario/ Argentina: Blut! Una pareja de sangre

ShowsDel Borde Espacio Teatral

This is the story of two brothers who are condemned to repeat, or represent, the story of their own parents, from whom they have inherited a restaurant. This inheritance ends up making the situation more and more weird as time goes by. All this has to do with the intricate bond coming from their father´s command and their unquestionable and unchangeable mother’s recipes.

23:30 h