Shows
Ajaccio (Córcega) / Francia: Juan la Suerte / Jean la Chance
ShowsTeatro RegioThe script, which was incomplete and unknown until the late 90´s, was written by Bertolt Brecht in his first period, while living at Baviera, right after writting Baal and just before Drums in the night. He was inspired by the story of Hans in Glück written by the Grimm brothers. His aim was to show the critical insights he had about commerce. Orsoni makes his own version, essentially using music to tell the story and thus, being able to work the scene with a certain distance.
Ajaccio (Córcega) / France: Juan la Suerte / Jean la Chance
ShowsTeatro RegioThe script, which was incomplete and unknown until the late 90´s, was written by Bertolt Brecht in his first period, while living at Baviera, right after writting Baal and just before Drums in the night. He was inspired by the story of Hans in Glück written by the Grimm brothers. His aim was to show the critical insights he had about commerce. Orsoni makes his own version, essentially using music to tell the story and thus, being able to work the scene with a certain distance.
Ajaccio (Córcega)/ Francia: Juan la Suerte / Jean la Chance
ShowsTeatro RegioThe script, which was incomplete and unknown until the late 90´s, was written by Bertolt Brecht in his first period, while living at Baviera, right after writting Baal and just before Drums in the night. He was inspired by the story of Hans in Glück written by the Grimm brothers. His aim was to show the critical insights he had about commerce. Orsoni makes his own version, essentially using music to tell the story and thus, being able to work the scene with a certain distance.
Out
ASUNCIÓN/ PARAGUAY: La secreta obscenidad de cada día
ShowsBeckett TeatroA park bench is the only element on stage where two men, who are dressed in suggestive outfits, are waiting for students to come out of school. Two overcoats hide an obscenity which is sexual, but that it may turn ideological for these two men whose names are, significantly, Charles(Marx) and Sigmund (Freud).
Out
ASUNCIÓN/ PARAGUAY: La secreta obscenidad de cada día
ShowsBeckett TeatroA park bench is the only element on stage where two men, who are dressed in suggestive outfits, are waiting for students to come out of school. Two overcoats hide an obscenity which is sexual, but that it may turn ideological for these two men whose names are, significantly, Charles(Marx) and Sigmund (Freud).
Out
ASUNCIÓN/ PARAGUAY: La secreta obscenidad de cada día
ShowsBeckett TeatroA park bench is the only element on stage where two men, who are dressed in suggestive outfits, are waiting for students to come out of school. Two overcoats hide an obscenity which is sexual, but that it may turn ideological for these two men whose names are, significantly, Charles(Marx) and Sigmund (Freud).
Barcelona / España: Crónica sentimental de España
ShowsTeatro San Martín - Sala CasacubertaSongs don´t lie. Based on this slogan, Albertí creates this performance which is neither theatrical nor musical, but a mixture of both. It is so symbiotic that it turns it weird; but the audience will be moved by Spain’s story told through its melodies and songs, being this a way to acknowledge our own identity.
Barcelona / España: Crónica sentimental de España
ShowsTeatro San Martín - Sala CasacubertaSongs don´t lie. Based on this slogan, Albertí creates this performance which is neither theatrical nor musical, but a mixture of both. It is so symbiotic that it turns it weird; but the audience will be moved by Spain’s story told through its melodies and songs, being this a way to acknowledge our own identity.
Barcelona / España: Crónica sentimental de España
ShowsTeatro San Martín - Sala CasacubertaSongs don´t lie. Based on this slogan, Albertí creates this performance which is neither theatrical nor musical, but a mixture of both. It is so symbiotic that it turns it weird; but the audience will be moved by Spain’s story told through its melodies and songs, being this a way to acknowledge our own identity.
Barcelona / España: El dúo de la africana
ShowsTeatro AvenidaIn this fiction created by Albertí y Cunillé, the traditional Spanish Zarzuela Company “Santa Espina”, is on tour around a central american country called Nueva Peñaranda Republic which is ruled by a dictator that every night turns into a regular citizen to go out to party. He leaves his wife, Mrs. Governor , in charged, to rule. This argument is the setting for this zarzuela of great theatrical audacity. The original premiere of “ El dúo de la Africana ” took place in Madrid in 1893.
Barcelona / España: El dúo de la africana
ShowsTeatro AvenidaIn this fiction created by Albertí y Cunillé, the traditional Spanish Zarzuela Company “Santa Espina”, is on tour around a central american country called Nueva Peñaranda Republic which is ruled by a dictator that every night turns into a regular citizen to go out to party. He leaves his wife, Mrs. Governor , in charged, to rule. This argument is the setting for this zarzuela of great theatrical audacity. The original premiere of “ El dúo de la Africana ” took place in Madrid in 1893.
Barcelona / España: El dúo de la africana
ShowsTeatro AvenidaIn this fiction created by Albertí y Cunillé, the traditional Spanish Zarzuela Company “Santa Espina”, is on tour around a central american country called Nueva Peñaranda Republic which is ruled by a dictator that every night turns into a regular citizen to go out to party. He leaves his wife, Mrs. Governor , in charged, to rule. This argument is the setting for this zarzuela of great theatrical audacity. The original premiere of “ El dúo de la Africana ” took place in Madrid in 1893.
Out
Buenos Aires / Argentina: Adela está cazando patos
ShowsTeatro del PuebloThis version of Shakespeare's Hamlet comes from the province of Formosa.It makes subtle use of this text to show us a caustic picture of Argentine politics, corruption, and violence. It is very significant that Hamlet is represented by a woman, Adela, who will be in charged of keeping memories alive.
Out
Buenos Aires / Argentina: Adela está cazando patos
ShowsTeatro del PuebloThis version of Shakespeare's Hamlet comes from the province of Formosa.It makes subtle use of this text to show us a caustic picture of Argentine politics, corruption, and violence. It is very significant that Hamlet is represented by a woman, Adela, who will be in charged of keeping memories alive.
Out
Buenos Aires / Argentina: Alguien próximo
ShowsBeckett TeatroAlguien próximo is a sort of experiment on the relationship between the closeness and that which doesn´t belong to us, as an unavoidable duality existing when two bodies meet. This play presents the body as an interrogation, as the unprecedented: that thing we still don´t know anything about. This becomes more suggestive when another body appears, thus causing an inevitable difference just by being there . The closeness of the bodies will imply receiving the “other”, entering in contact with him, getting involved by feelings, taking care and accepting each other as acts of pure responsibility, openness, and devotion.
Out
Buenos Aires / Argentina: Alguien próximo
ShowsBeckett TeatroAlguien próximo is a sort of experiment on the relationship between the closeness and that which doesn´t belong to us, as an unavoidable duality existing when two bodies meet. This play presents the body as an interrogation, as the unprecedented: that thing we still don´t know anything about. This becomes more suggestive when another body appears, thus causing an inevitable difference just by being there . The closeness of the bodies will imply receiving the “other”, entering in contact with him, getting involved by feelings, taking care and accepting each other as acts of pure responsibility, openness, and devotion.
Out
Buenos Aires / Argentina: body Art
ShowsElkafka Espacio TeatralTwo artists decide to evoke, through this performance, the time they used to be a couple. From that situation, Rodríguez Seoane and Israilevich put on stage a display of criticism to art and its related vanity fair, as well as unveiling the sense of superficiality prevailing in the present cultural universe.
Out
Buenos Aires / Argentina: body Art
ShowsElkafka Espacio TeatralTwo artists decide to evoke, through this performance, the time they used to be a couple. From that situation, Rodríguez Seoane and Israilevich put on stage a display of criticism to art and its related vanity fair, as well as unveiling the sense of superficiality prevailing in the present cultural universe.
Out
Buenos Aires / Argentina: Cariño yacaré
ShowsTeatro AnfitriónDuring an air strike in Hollywood a mother, that could be Bette Davis or Joan Crawford, seeks shelter with her daughter in a swamp faraway. There, the actress will evoke the successful years of her career, destroying the self-esteem of her miserable daughter.
Out
Buenos Aires / Argentina: Cariño yacaré
ShowsTeatro AnfitriónDuring an air strike in Hollywood a mother, that could be Bette Davis or Joan Crawford, seeks shelter with her daughter in a swamp faraway. There, the actress will evoke the successful years of her career, destroying the self-esteem of her miserable daughter.
Out
Buenos Aires / Argentina: Cascarita, no luce ni cierra
ShowsLa RancheriaApparently it is a play about art, since its narrator is devoted to writing. However, this serves Iglesias as a starting point to deploy a cultural and ideological universe that will appeal to the empathy of the audience at first. Later he will unveil the hidden personality of this character that is far beyond being an ordinary man and does no longer cause sympathy, but he does cause horror.
Out
Buenos Aires / Argentina: Cascarita, no luce ni cierra
ShowsLa RancheriaApparently it is a play about art, since its narrator is devoted to writing. However, this serves Iglesias as a starting point to deploy a cultural and ideological universe that will appeal to the empathy of the audience at first. Later he will unveil the hidden personality of this character that is far beyond being an ordinary man and does no longer cause sympathy, but he does cause horror.
Out
Buenos Aires / Argentina: Chiquito
ShowsLa CarboneraIn Chiquito, a former military man, a nurse, and a young man, Cascarita, rebuild, through fragments, part of the story. Gradually, the audience will see that the young man is one of the five hundred babies who were kidnapped by the last dictatorship. He is at the present undergoing the process of asking questions in order to reconstruct his true identity.
Out
Buenos Aires / Argentina: Chiquito
ShowsLa CarboneraIn Chiquito, a former military man, a nurse, and a young man, Cascarita, rebuild, through fragments, part of the story. Gradually, the audience will see that the young man is one of the five hundred babies who were kidnapped by the last dictatorship. He is at the present undergoing the process of asking questions in order to reconstruct his true identity.
Out
Buenos Aires / Argentina: Dóciles y útiles
ShowsIUNA - Sede VenezuelaThe institution these automats belong to, has decided to organise the 11th Inter-State Contest and demands, for the event to be successful, that their young bodies produce all the necessary they need, in order to win. Those who disobey will be murdered. This performance shows, through humour, the whole universe of production by putting special emphasis on the alienation and the human being’s loss of essence.
Out
Buenos Aires / Argentina: Dóciles y útiles
ShowsIUNA - Sede VenezuelaThe institution these automats belong to, has decided to organise the 11th Inter-State Contest and demands, for the event to be successful, that their young bodies produce all the necessary they need, in order to win. Those who disobey will be murdered. This performance shows, through humour, the whole universe of production by putting special emphasis on the alienation and the human being’s loss of essence.
Out
Buenos Aires / Argentina: Dóciles y útiles
ShowsIUNA - Sede VenezuelaThe institution these automats belong to, has decided to organise the 11th Inter-State Contest and demands, for the event to be successful, that their young bodies produce all the necessary they need, in order to win. Those who disobey will be murdered. This performance shows, through humour, the whole universe of production by putting special emphasis on the alienation and the human being’s loss of essence.
Out
Buenos Aires / Argentina: Dóciles y útiles
ShowsIUNA - Sede VenezuelaThe institution these automats belong to, has decided to organise the 11th Inter-State Contest and demands, for the event to be successful, that their young bodies produce all the necessary they need, in order to win. Those who disobey will be murdered. This performance shows, through humour, the whole universe of production by putting special emphasis on the alienation and the human being’s loss of essence.
Out
Buenos Aires / Argentina: Domingo
ShowsTeatro del SurThrough this biopic, the director not only puts on stage a person that is not an actress, but chooses her own grandmother, who is 80 years old and does this for the first time in her life. The purpose is to evoke any Sunday of this woman´s life, who is just one of many common women. Her sounds, her memories and her nostalgia, have the leading roles in this performance that finds poetry in everyday life.
Out
Buenos Aires / Argentina: Domingo
ShowsTeatro del SurThrough this biopic, the director not only puts on stage a person that is not an actress, but chooses her own grandmother, who is 80 years old and does this for the first time in her life. The purpose is to evoke any Sunday of this woman´s life, who is just one of many common women. Her sounds, her memories and her nostalgia, have the leading roles in this performance that finds poetry in everyday life.
Out
Buenos Aires / Argentina: Dúo para ella sola
ShowsEl cuboStarting right from the title, the play shows us something complex. What can a duo for a sole woman mean? Not strictly an oxymoron, the interpretation of the title, at first, seems impossible without an explanation about the technical equipment that allows a sole performer to play a duo. This linguistic contradiction shall be solved through the use of a technical device, and why not, even a scientific element.
Out
Buenos Aires / Argentina: Dúo para ella sola
ShowsEl cuboStarting right from the title, the play shows us something complex. What can a duo for a sole woman mean? Not strictly an oxymoron, the interpretation of the title, at first, seems impossible without an explanation about the technical equipment that allows a sole performer to play a duo. This linguistic contradiction shall be solved through the use of a technical device, and why not, even a scientific element.
Out
Buenos Aires / Argentina: Exactamente bajo el sol
ShowsAbasto Social ClubThis is the story of a seamstress, her mother, and her daughter, who host a nephew who came to town to take a music specialization course. Since his arrival, an erotic and endogamic play starts, recalling the personality of Serge Gainsbourg, that French interpreter so much loved and desired by women as well as so detested by the defenders of morality and good manners.
Out
Buenos Aires / Argentina: Exactamente bajo el sol
ShowsAbasto Social ClubThis is the story of a seamstress, her mother, and her daughter, who host a nephew who came to town to take a music specialization course. Since his arrival, an erotic and endogamic play starts, recalling the personality of Serge Gainsbourg, that French interpreter so much loved and desired by women as well as so detested by the defenders of morality and good manners.
Out
Buenos Aires / Argentina: Falsa escuadra
ShowsCiudad Cultural KonexThe Company Movimiento Armario creates a strong visual and musical performance in which the artists plays with the movements of the body and its inter-relation with various objects to generate a personal world, where surrealist poetry and humour prevail. In that sense the circus technique, through its predominantly physical language, is integrated with the theatre interpretation in a dynamic and fun performance with characters that express themselves through gestures and actions.
Out
Buenos Aires / Argentina: Falsa escuadra
ShowsCiudad Cultural KonexThe Company Movimiento Armario creates a strong visual and musical performance in which the artists plays with the movements of the body and its inter-relation with various objects to generate a personal world, where surrealist poetry and humour prevail. In that sense the circus technique, through its predominantly physical language, is integrated with the theatre interpretation in a dynamic and fun performance with characters that express themselves through gestures and actions.
Out
Buenos Aires / Argentina: Ilusión
ShowsEl Camarín de las MusasA spider and a mirror will be the only set decoration that will welcome this 1700’s dressed couple. From that moment on, the music will be marking the distance and the closeness of the bodies, while other disciplines like magic demonstrations, appears on stage to collaborate in the creation of an oniric atmosphere that is, basically, the raw material used by Mazur.
Out
Buenos Aires / Argentina: Ilusión
ShowsEl Camarín de las MusasA spider and a mirror will be the only set decoration that will welcome this 1700’s dressed couple. From that moment on, the music will be marking the distance and the closeness of the bodies, while other disciplines like magic demonstrations, appears on stage to collaborate in the creation of an oniric atmosphere that is, basically, the raw material used by Mazur.
Out
Buenos Aires / Argentina: Lote 77
ShowsTeatro del AbastoLote 77 is an interrogation about masculinity. What is it that makes a body, beyond its anatomy, define if it belongs to a man or not. Supporting the idea that this genre is essentially about performance, Mininno makes actors represent a sequence of scenes and countryside rituals that urban men can only think of as activities that only men can do.
Out
Buenos Aires / Argentina: Lote 77
ShowsTeatro del AbastoLote 77 is an interrogation about masculinity. What is it that makes a body, beyond its anatomy, define if it belongs to a man or not. Supporting the idea that this genre is essentially about performance, Mininno makes actors represent a sequence of scenes and countryside rituals that urban men can only think of as activities that only men can do.
Out
Buenos Aires / Argentina: Luisa se estrella contra su casa
ShowsEspacio CallejónLuisa is a woman who denies her loneliness after her husband died in an accident. She stays at home all the time; a house that resembles a doll house, and there she has long conversations with the shadow of her dead husband , being visited at the same time by Odex-Man, a sort of super-hero coming out of a cleansing product advertising.
Out
Buenos Aires / Argentina: Luisa se estrella contra su casa
ShowsEspacio CallejónLuisa is a woman who denies her loneliness after her husband died in an accident. She stays at home all the time; a house that resembles a doll house, and there she has long conversations with the shadow of her dead husband , being visited at the same time by Odex-Man, a sort of super-hero coming out of a cleansing product advertising.
Out
Buenos Aires / Argentina: Nada del amor me produce envidia
ShowsTadrón TeatroThe mythical slap Libertad Lamarque would have given to Eva Duarte de Perón, is the basis for the argument of this story about a seamstress that once was visited by these two women who wanted to buy her the same dress. This dilemma will be the starting point to put on display the cultural universe of those years which are accuratelly represented through the repertoire of this Argentine actress and singer who exiled herself in Mexico for being against the peronist regime.
Out
Buenos Aires / Argentina: Nada del amor me produce envidia
ShowsTadrón TeatroThe mythical slap Libertad Lamarque would have given to Eva Duarte de Perón, is the basis for the argument of this story about a seamstress that once was visited by these two women who wanted to buy her the same dress. This dilemma will be the starting point to put on display the cultural universe of those years which are accuratelly represented through the repertoire of this Argentine actress and singer who exiled herself in Mexico for being against the peronist regime.
Out
Buenos Aires / Argentina: Obra lumínica
ShowsLa CarboneraObra lumínica is an arbitrary as well as a fussy proposal. This is the gathering of the work of a group of artists who perform with lights; however, they are most of the time, paradoxically, invisible. This performance also allows the coexistence, in the same theatre, of small-format plays, where light has a leading role.
Out
Buenos Aires / Argentina: Obra lumínica
ShowsLa CarboneraObra lumínica is an arbitrary as well as a fussy proposal. This is the gathering of the work of a group of artists who perform with lights; however, they are most of the time, paradoxically, invisible. This performance also allows the coexistence, in the same theatre, of small-format plays, where light has a leading role.
Out
Buenos Aires / Argentina: Obra lumínica
ShowsLa CarboneraObra lumínica is an arbitrary as well as a fussy proposal. This is the gathering of the work of a group of artists who perform with lights; however, they are most of the time, paradoxically, invisible. This performance also allows the coexistence, in the same theatre, of small-format plays, where light has a leading role.
Out
Buenos Aires / Argentina: Obra lumínica
ShowsLa CarboneraObra lumínica is an arbitrary as well as a fussy proposal. This is the gathering of the work of a group of artists who perform with lights; however, they are most of the time, paradoxically, invisible. This performance also allows the coexistence, in the same theatre, of small-format plays, where light has a leading role.
Out
Buenos Aires / Argentina: Prometeo. Hasta el cuello
ShowsTeatro del AbastoSantillán works on texts by Esquilo, to tell us about political affiliations in our own country; it will make us think about it, and also, about the impossibility of undergoing tragedies in a world that has no more myths. Augusto Pontoni will be the main character in this story, interpreting a man who used to be very powerful, but that now has to keep a low profile, since he is in risk of being eliminated by his own colleges.
Out
Buenos Aires / Argentina: Prometeo. Hasta el cuello
ShowsTeatro del AbastoSantillán works on texts by Esquilo, to tell us about political affiliations in our own country; it will make us think about it, and also, about the impossibility of undergoing tragedies in a world that has no more myths. Augusto Pontoni will be the main character in this story, interpreting a man who used to be very powerful, but that now has to keep a low profile, since he is in risk of being eliminated by his own colleges.
Out
Buenos Aires / Argentina: Rocío (o el paisaje)
ShowsEl Camarín de las MusasRocío (o el paisaje) suggests the subject of splitting in two: one character, two bodies, one story, and several viewpoints, is the primary material upon which Panno builds this play that uses the insights that, through speech, the character shares, while thinking at the same time, how that same story would be seen by a cow who watches it riding by rapidly on the road.
Out
Buenos Aires / Argentina: Rocío (o el paisaje)
ShowsEl Camarín de las MusasRocío (o el paisaje) suggests the subject of splitting in two: one character, two bodies, one story, and several viewpoints, is the primary material upon which Panno builds this play that uses the insights that, through speech, the character shares, while thinking at the same time, how that same story would be seen by a cow who watches it riding by rapidly on the road.
Out
Buenos Aires / Argentina: Rodando
ShowsNoAvestruzThe question about the genre of this performance has no answer. Is it theatre? Is it an oral narration? Is it telling the story of a movie ? Because this “one man show for a man in a wheelchair,” as defined by the authors, is a detailed description and narration of a road movie genre film being shot and projected through its words and gestures.
Out
Buenos Aires / Argentina: Rodando
ShowsNoAvestruzThe question about the genre of this performance has no answer. Is it theatre? Is it an oral narration? Is it telling the story of a movie ? Because this “one man show for a man in a wheelchair,” as defined by the authors, is a detailed description and narration of a road movie genre film being shot and projected through its words and gestures.
Out
Buenos Aires / Argentina: Stéfano
ShowsApachetaArgentina used to be a land of hopes and dreams. Stéfano by Armando Discépolo makes reference to that specific time in history, describing the hopes of an european immigrant who dreamed, in vain, about writing an opera. Hope and frustration are the beginning and the end of a play that unfolds a personal tragedy launching it as a social metaphor.
Out
Buenos Aires / Argentina: Stéfano
ShowsApachetaArgentina used to be a land of hopes and dreams. Stéfano by Armando Discépolo makes reference to that specific time in history, describing the hopes of an european immigrant who dreamed, in vain, about writing an opera. Hope and frustration are the beginning and the end of a play that unfolds a personal tragedy launching it as a social metaphor.
Out
Buenos Aires / Argentina: Testigos
ShowsTeatro del AbastoA raid is the basis of the story used to show both, the shameless way in which the police and justice act in certain areas, while, on the other side it is the display of a subjective dimension of time. The true effect of the raid marks an exception in time which makes a crumbling effect in the painful everyday routine; even allowing “to replay” scenes and to mix events. Because of this, modifications in the plot are possible.
Out
Buenos Aires / Argentina: Testigos
ShowsTeatro del AbastoA raid is the basis of the story used to show both, the shameless way in which the police and justice act in certain areas, while, on the other side it is the display of a subjective dimension of time. The true effect of the raid marks an exception in time which makes a crumbling effect in the painful everyday routine; even allowing “to replay” scenes and to mix events. Because of this, modifications in the plot are possible.
Out
Buenos Aires / Argentina: The victory to La Madrecita
ShowsCaras y caretasThe play is about La Madrecita; a girl from the northern part of the country ,who is said to have special miraculous powers, and her untiring sister. While one lives having visions all the time, fighting against the eventual visits of the devil, and receiving pilgrims; the other one dedicates herself to administrate the charity money that people give them. But one day, upon having been expelled from their place, they move to a very agitated Buenos Aires right in the midst of its last dictatorship.
Out
Buenos Aires / Argentina: The victory to La Madrecita
ShowsCaras y caretasThe play is about La Madrecita; a girl from the northern part of the country ,who is said to have special miraculous powers, and her untiring sister. While one lives having visions all the time, fighting against the eventual visits of the devil, and receiving pilgrims; the other one dedicates herself to administrate the charity money that people give them. But one day, upon having been expelled from their place, they move to a very agitated Buenos Aires right in the midst of its last dictatorship.
Out
Buenos Aires / Argentina: Tren
ShowsTeatro AnfitriónA group of members of some more commercial than traditional religion, take a train at Constitución station towards the Atlantic coast to take part in a spiritual meeting. This idea is the excuse that uses Piel de Lava to put on stage a performance that is highly supported by the drama of the actresses, while a multimedia device contributes with dynamism by the projecting the road through the window.
Out
Buenos Aires / Argentina: Tren
ShowsTeatro AnfitriónA group of members of some more commercial than traditional religion, take a train at Constitución station towards the Atlantic coast to take part in a spiritual meeting. This idea is the excuse that uses Piel de Lava to put on stage a performance that is highly supported by the drama of the actresses, while a multimedia device contributes with dynamism by the projecting the road through the window.
Out
Buenos Aires / Argentina: Tualet
ShowsEspacio CallejónThrough a very special lighting, Onofri presents a space that is not totally defined, since the floating lighting panel provides light to a defined point and, simultaneously, the lights fades away as a way to deny the sensation of having limits; the limit that is exactly opposed to that of the chemical toilet where dancers get in and, by means of very precise and tiny movements, start expressing themselves between the obstacles placed by toilet elements that block and fill the existing 1 square meter room.
Out
Buenos Aires / Argentina: Tualet
ShowsEspacio CallejónThrough a very special lighting, Onofri presents a space that is not totally defined, since the floating lighting panel provides light to a defined point and, simultaneously, the lights fades away as a way to deny the sensation of having limits; the limit that is exactly opposed to that of the chemical toilet where dancers get in and, by means of very precise and tiny movements, start expressing themselves between the obstacles placed by toilet elements that block and fill the existing 1 square meter room.
Out
Cochabamba / La Paz / Bolivia: Transparente
ShowsEspacio CallejónTransparente plays with that same idea of transparency as a way to make very evident certain personal and national truths; to show them and put them on stage by means of a cabaret-like staging performance that proposes an experience where, on a single stage, the show, the entertainment, and frivolity, coexists with the dense, the obscure and the evil. Through a conceptual writing, the characters will try to become sometimes visible, sometimes transparent, and always trying to understand what is inside the others and also in themselves.
Out
Cochabamba / La Paz / Bolivia: Transparente
ShowsEspacio CallejónTransparente plays with that same idea of transparency as a way to make very evident certain personal and national truths; to show them and put them on stage by means of a cabaret-like staging performance that proposes an experience where, on a single stage, the show, the entertainment, and frivolity, coexists with the dense, the obscure and the evil. Through a conceptual writing, the characters will try to become sometimes visible, sometimes transparent, and always trying to understand what is inside the others and also in themselves.
Out
Cochabamba / La Paz / Bolivia: Transparente
ShowsEspacio CallejónTransparente plays with that same idea of transparency as a way to make very evident certain personal and national truths; to show them and put them on stage by means of a cabaret-like staging performance that proposes an experience where, on a single stage, the show, the entertainment, and frivolity, coexists with the dense, the obscure and the evil. Through a conceptual writing, the characters will try to become sometimes visible, sometimes transparent, and always trying to understand what is inside the others and also in themselves.
Out
Córdoba / Argentina: Nursing. Elemental. Manual de procedimientos
ShowsEspacio EclécticoThis play about the story, the friendship, and the competition between three nurses, is the basis used to show a crucial moment of Argentine culture. Nursing… is about the years when nursing was turned into a profession by the peronism; fact which allows the creator to work on the imaginary which surrounds Perón and Eva, as a result of the admiration these three workers from a hospital, situated in the interior of the country, felt for Eva Perón.
Out
Córdoba / Argentina: Nursing. Elemental. Manual de procedimientos
ShowsEspacio EclécticoThis play about the story, the friendship, and the competition between three nurses, is the basis used to show a crucial moment of Argentine culture. Nursing… is about the years when nursing was turned into a profession by the peronism; fact which allows the creator to work on the imaginary which surrounds Perón and Eva, as a result of the admiration these three workers from a hospital, situated in the interior of the country, felt for Eva Perón.
Out
Córdoba / Argentina: Salsipuedes
ShowsAndamio 90'This is a town like any other town. With its hidden stories,its perversions and its secrets. There, three sisters are living at their recently deceased father's house. One of them has decided to follow the father’s commandment, while the others try to find the way to run away. Getting married or leaving town to study theatre seems to be the only two possibilities. By means of this play, Argüello Pitt not only pays tribute to Three Sisters by Chejov, but also shows his own critical view about art and its relation with work.
Out
Córdoba / Argentina: Salsipuedes
ShowsAndamio 90'This is a town like any other town. With its hidden stories,its perversions and its secrets. There, three sisters are living at their recently deceased father's house. One of them has decided to follow the father’s commandment, while the others try to find the way to run away. Getting married or leaving town to study theatre seems to be the only two possibilities. By means of this play, Argüello Pitt not only pays tribute to Three Sisters by Chejov, but also shows his own critical view about art and its relation with work.
Encuentro de bienvenida
ShowsGante / Bélgica: Patchagonia
ShowsTeatro Presidente AlvearCharles Darwin's stories about Patagonia, or those of Billy the Kid, are the basis for this argentine choreographer, living in Belgium, to create this performance. It has a strong beckettian influence, where this particular space thrown to the outskirts of the world, appears to be an ideal place to slow down, to wait for something. This is an absolutely stylized version of our geography and our folklore rhythms, interpreted by Les Ballets C. de la B.
Gante / Bélgica: Patchagonia
ShowsTeatro Presidente AlvearCharles Darwin's stories about Patagonia, or those of Billy the Kid, are the basis for this argentine choreographer, living in Belgium, to create this performance. It has a strong beckettian influence, where this particular space thrown to the outskirts of the world, appears to be an ideal place to slow down, to wait for something. This is an absolutely stylized version of our geography and our folklore rhythms, interpreted by Les Ballets C. de la B.
Gante / Bélgica: Patchagonia
ShowsTeatro Presidente AlvearCharles Darwin's stories about Patagonia, or those of Billy the Kid, are the basis for this argentine choreographer, living in Belgium, to create this performance. It has a strong beckettian influence, where this particular space thrown to the outskirts of the world, appears to be an ideal place to slow down, to wait for something. This is an absolutely stylized version of our geography and our folklore rhythms, interpreted by Les Ballets C. de la B.
Out
Helsinki / Finlandia: Velada con Stravinsky
ShowsTeatro San Martín - Sala Martín CoronadoWith a very personal stamp, Saarinen, achieves to pay tribute to Russian composer Igor Stravinsky by recreating two of his most important plays: “Petrushka” and “The Consecration of Spring.”
Warning! HUNT has strong light-stroboscopic effects that may be harmful for some people, such as those suffering from epilepsy.
Helsinki / Finlandia: Velada con Stravinsky
ShowsTeatro San Martín - Sala Martín CoronadoWith a very personal stamp, Saarinen, achieves to pay tribute to Russian composer Igor Stravinsky by recreating two of his most important plays: “Petrushka” and “The Consecration of Spring.”
Warning! HUNT has strong light-stroboscopic effects that may be harmful for some people, such as those suffering from epilepsy.
Helsinki / Finlandia: Velada con Stravinsky
ShowsTeatro San Martín - Sala Martín CoronadoWith a very personal stamp, Saarinen, achieves to pay tribute to Russian composer Igor Stravinsky by recreating two of his most important plays: “Petrushka” and “The Consecration of Spring.”
Warning! HUNT has strong light-stroboscopic effects that may be harmful for some people, such as those suffering from epilepsy.
Out
Maputo / Mozambique: Mujer Asfalto / Mulher Asfalto
ShowsCiudad Cultural KonexAlain Kamal Martial’s text of Mulher Asfalto , put on stage by the Mutumbela Gogo group, gives them the possibility to give voice to those who are oppressed. In this case, Lucrecia Paco performs a prostitute sharing her insights on her job while having a musical dialogue with her partner, Cheny Wa Gune.
Out
Maputo / Mozambique: Mujer Asfalto / Mulher Asfalto
ShowsCiudad Cultural KonexAlain Kamal Martial’s text of Mulher Asfalto , put on stage by the Mutumbela Gogo group, gives them the possibility to give voice to those who are oppressed. In this case, Lucrecia Paco performs a prostitute sharing her insights on her job while having a musical dialogue with her partner, Cheny Wa Gune.
Out
Maputo / Mozambique: Mujer Asfalto / Mulher Asfalto
ShowsCiudad Cultural KonexAlain Kamal Martial’s text of Mulher Asfalto , put on stage by the Mutumbela Gogo group, gives them the possibility to give voice to those who are oppressed. In this case, Lucrecia Paco performs a prostitute sharing her insights on her job while having a musical dialogue with her partner, Cheny Wa Gune.
México df/ México: Are you really lost?
ShowsTeatro San Martín - Sala Martín CoronadoAre you really Lost? is a performance where bodies and light, which has a leading role, combine music, poetry and movement, with a clear purpose of thinking about human being in relation to its existence , its fears and anxieties, caused by the contemporary world. The fact of having defined the title in English, which is taken from an album of a Chilean musician residing in Germany, definitely puts globalization in a very first place.
México df/ México: Are you really lost?
ShowsTeatro San Martín - Sala Martín CoronadoAre you really Lost? is a performance where bodies and light, which has a leading role, combine music, poetry and movement, with a clear purpose of thinking about human being in relation to its existence , its fears and anxieties, caused by the contemporary world. The fact of having defined the title in English, which is taken from an album of a Chilean musician residing in Germany, definitely puts globalization in a very first place.
México DF/ México: Are you really lost?
ShowsTeatro San Martín - Sala Martín CoronadoAre you really Lost? is a performance where bodies and light, which has a leading role, combine music, poetry and movement, with a clear purpose of thinking about human being in relation to its existence , its fears and anxieties, caused by the contemporary world. The fact of having defined the title in English, which is taken from an album of a Chilean musician residing in Germany, definitely puts globalization in a very first place.
Out
Montevideo / Uruguay: Mi muñequita (la farsa)
ShowsElkafka Espacio TeatralMy little doll ( the farce) presents a distorted image of the bourgeois concept of family by showing the atrocities underlying the morale proclaimed from the surface. Through this farce, expressly presented by the title itself, Calderón puts on stage a series of creatures that do not resemble neither a realist nor a naturalist theatre.
Out
Montevideo / Uruguay: Mi muñequita (la farsa)
ShowsElkafka Espacio TeatralMy little doll ( the farce) presents a distorted image of the bourgeois concept of family by showing the atrocities underlying the morale proclaimed from the surface. Through this farce, expressly presented by the title itself, Calderón puts on stage a series of creatures that do not resemble neither a realist nor a naturalist theatre.
Out
Montevideo / Uruguay: Mi muñequita (la farsa)
ShowsElkafka Espacio TeatralMy little doll ( the farce) presents a distorted image of the bourgeois concept of family by showing the atrocities underlying the morale proclaimed from the surface. Through this farce, expressly presented by the title itself, Calderón puts on stage a series of creatures that do not resemble neither a realist nor a naturalist theatre.
Out
MONTEVIDEO/ URUGUAY: atp
ShowsCiudad Cultural KonexIn atp there is no script or story to be told; there are a series of basic instructions written on a sheet of paper that indicate the beginning and end of the performance. The three dancers, a woman and two men, will have to follow these instructions in order to conduct this experiment. Here, the performers play with the sound, which is recorded by the dancers through the use of microphones that are manipulated by them; all is essential; including the silence.
Out
MONTEVIDEO/ URUGUAY: ATP
ShowsCiudad Cultural KonexIn atp there is no script or story to be told; there are a series of basic instructions written on a sheet of paper that indicate the beginning and end of the performance. The three dancers, a woman and two men, will have to follow these instructions in order to conduct this experiment. Here, the performers play with the sound, which is recorded by the dancers through the use of microphones that are manipulated by them; all is essential; including the silence
Out
MONTEVIDEO/ URUGUAY: ATP
ShowsCiudad Cultural KonexIn atp there is no script or story to be told; there are a series of basic instructions written on a sheet of paper that indicate the beginning and end of the performance. The three dancers, a woman and two men, will have to follow these instructions in order to conduct this experiment. Here, the performers play with the sound, which is recorded by the dancers through the use of microphones that are manipulated by them; all is essential; including the silence
Palermo / Italia: Mishelle di Sant’Oliva
ShowsTeatro de la RiberaMishelle di Sant’Oliva is the story of an always absent body; that of a mother who was a leading dancer at the Olympia of Paris, and of the two men facing the cruelty of having to be there only waiting. The father, Gaetano, and the son Salvatore, live in a very dirty and poor place. Meanwhile, the father dreams with an apparently happy past, as a way to deny the homosexuality of his son, who in the evening turns into a transvestite and prostitutes himself.
Palermo / Italia: Mishelle di Sant’Oliva
ShowsTeatro de la RiberaMishelle di Sant’Oliva is the story of an always absent body; that of a mother who was a leading dancer at the Olympia of Paris, and of the two men facing the cruelty of having to be there only waiting. The father, Gaetano, and the son Salvatore, live in a very dirty and poor place. Meanwhile, the father dreams with an apparently happy past, as a way to deny the homosexuality of his son, who in the evening turns into a transvestite and prostitutes himself.
Palermo / Italia: Mishelle di Sant’Oliva
ShowsTeatro de la RiberaMishelle di Sant’Oliva is the story of an always absent body; that of a mother who was a leading dancer at the Olympia of Paris, and of the two men facing the cruelty of having to be there only waiting. The father, Gaetano, and the son Salvatore, live in a very dirty and poor place. Meanwhile, the father dreams with an apparently happy past, as a way to deny the homosexuality of his son, who in the evening turns into a transvestite and prostitutes himself.
Out
París / Francia: El efecto de Sergio / L’effet de Serge
ShowsTeatro San Martín - Sala Cunill CabanellasEvery week, Sergio invites his friends to offer them one-minute special-effects shows which are strongly supported by music. The ritual Sergio uses to welcome his guests, as well as the presentation of each ethereal and fragile moments of each performance, is the way to encourage, through humour, a reflection about art. In this representation, we (the audience) are invited to interact. We are also his guests.
Out
París / Francia: El efecto de Sergio / L’effet de Serge
ShowsTeatro San Martín - Sala Cunill CabanellasEvery week, Sergio invites his friends to offer them one-minute special-effects shows which are strongly supported by music. The ritual Sergio uses to welcome his guests, as well as the presentation of each ethereal and fragile moments of each performance, is the way to encourage, through humour, a reflection about art. In this representation, we (the audience) are invited to interact. We are also his guests.
Out
París / Francia: El efecto de Sergio / L’effet de Serge
ShowsTeatro San Martín - Sala Cunill CabanellasEvery week, Sergio invites his friends to offer them one-minute special-effects shows which are strongly supported by music. The ritual Sergio uses to welcome his guests, as well as the presentation of each ethereal and fragile moments of each performance, is the way to encourage, through humour, a reflection about art. In this representation, we (the audience) are invited to interact. We are also his guests.
Out
París / Francia: La Comisión central para la infancia
ShowsTeatro del PuebloChildhood´s Central Commission were a set of institutions –around 50 in France– that were dedicated to recover and save nearly 15,000 children who were left orphans after the war, stripped of their loved ones and of their traditions also. In this one-man-show, Lescot lends his body and his voice to thousands of children ,as a way to make use of the theatre to preserve the memories. A highly moving and intimate performance.
París / Francia: La Comisión central para la infancia
ShowsTeatro del PuebloChildhood´s Central Commission were a set of institutions –around 50 in France– that were dedicated to recover and save nearly 15,000 children who were left orphans after the war, stripped of their loved ones and of their traditions also. In this one-man-show, Lescot lends his body and his voice to thousands of children ,as a way to make use of the theatre to preserve the memories. A highly moving and intimate performance.
París / Francia: La Comisión central para la infancia
ShowsTeatro del PuebloChildhood´s Central Commission were a set of institutions –around 50 in France– that were dedicated to recover and save nearly 15,000 children who were left orphans after the war, stripped of their loved ones and of their traditions also. In this one-man-show, Lescot lends his body and his voice to thousands of children ,as a way to make use of the theatre to preserve the memories. A highly moving and intimate performance.
Out
Poznan / Polonia: Los expedientes / Teczki
ShowsEl Portón de SánchezThis is a “documentary play” where the artists use the secret files that the Communist government kept between 1975 and 1983, detailing information about themselves , their contacts and friends. This information is linked to some personal mails that the artists themselves wrote at that time. There are moments of a very painful confessional atmosphere. Los expedientes, which presents extremely painful testimonials, puts on stage a complex aesthetic and political universe where we are confronted with a harsh truth of which we are all part of.
Out
Poznan / Polonia: Los expedientes / Teczki
ShowsEl Portón de SánchezThis is a “documentary play” where the artists use the secret files that the Communist government kept between 1975 and 1983, detailing information about themselves , their contacts and friends. This information is linked to some personal mails that the artists themselves wrote at that time. There are moments of a very painful confessional atmosphere. Los expedientes, which presents extremely painful testimonials, puts on stage a complex aesthetic and political universe where we are confronted with a harsh truth of which we are all part of.
Out
Poznan / Polonia: Los expedientes / Teczki
ShowsEl Portón de SánchezThis is a “documentary play” where the artists use the secret files that the Communist government kept between 1975 and 1983, detailing information about themselves , their contacts and friends. This information is linked to some personal mails that the artists themselves wrote at that time. There are moments of a very painful confessional atmosphere. Los expedientes, which presents extremely painful testimonials, puts on stage a complex aesthetic and political universe where we are confronted with a harsh truth of which we are all part of.
Out
Praga / República Checa: El agujero negro / Cerná díra
ShowsTeatro SarmientoThe play is based on a minimum anecdote, very focused and narrowed within the stage space chosen: a mini-market at a Shell fuel station located in the central area of the United States,right in the 70’s. A waitress, a police officer who is in love, an interviewer, a young couple, and a super TV star and his manager, shall be thrown into a black hole where they are condemned, outside limits of time, to live a perpetual repetition.
Out
Praga / República Checa: El agujero negro / Cerná díra
ShowsTeatro SarmientoThe play is based on a minimum anecdote, very focused and narrowed within the stage space chosen: a mini-market at a Shell fuel station located in the central area of the United States,right in the 70’s. A waitress, a police officer who is in love, an interviewer, a young couple, and a super TV star and his manager, shall be thrown into a black hole where they are condemned, outside limits of time, to live a perpetual repetition.
Out
Praga / República Checa: El agujero negro / Cerná díra
ShowsTeatro SarmientoThe play is based on a minimum anecdote, very focused and narrowed within the stage space chosen: a mini-market at a Shell fuel station located in the central area of the United States,right in the 70’s. A waitress, a police officer who is in love, an interviewer, a young couple, and a super TV star and his manager, shall be thrown into a black hole where they are condemned, outside limits of time, to live a perpetual repetition.
Out
Rosario/ Argentina: Blut! Una pareja de sangre
ShowsDel Borde Espacio TeatralThis is the story of two brothers who are condemned to repeat, or represent, the story of their own parents, from whom they have inherited a restaurant. This inheritance ends up making the situation more and more weird as time goes by. All this has to do with the intricate bond coming from their father´s command and their unquestionable and unchangeable mother’s recipes.
Out
Rosario/ Argentina: Blut! Una pareja de sangre
ShowsDel Borde Espacio TeatralThis is the story of two brothers who are condemned to repeat, or represent, the story of their own parents, from whom they have inherited a restaurant. This inheritance ends up making the situation more and more weird as time goes by. All this has to do with the intricate bond coming from their father´s command and their unquestionable and unchangeable mother’s recipes.
Out
San Miguel de Tucumán / Argentina: Il fait mauvais… llueve
ShowsPatio de ActoresIl fait mauvais… llueve is marked by a playful spirit, to such an extent that not only the title is in French, but almost all the performance is spoken in that language, sometimes accompanied by simultaneous translations. From the very beginning, the audience knows that there is no story to look for. Because, what this company does is to build, by working with both languages, a third language that is pure materiality, thus leaving the semantic part drastically in a second place.
Out
San Miguel de Tucumán / Argentina: Il fait mauvais… llueve
ShowsPatio de ActoresIl fait mauvais… llueve is marked by a playful spirit, to such an extent that not only the title is in French, but almost all the performance is spoken in that language, sometimes accompanied by simultaneous translations.
From the very beginning, the audience knows that there is no story to look for. Because, what this company does is to build, by working with both languages, a third language that is pure materiality, thus leaving the semantic part drastically in a second place.
Out
Santiago / Chile: Clase
ShowsTeatro PayróThere are two characters; a professor and a student who are inside the class, discussing their points of view on politics, while outside there is a student demonstration claiming for their rights. It is the famous Marcha de los Pingüinos (Penguins March) which took place in 2006. Calderón uses this setting to confront two generations which live in the same country, but that haven´t experienced the same story nor the same tragedies.
Santiago / Chile: Clase
ShowsTeatro PayróThere are two characters; a professor and a student who are inside the class, discussing their points of view on politics, while outside there is a student demonstration claiming for their rights. It is the famous Marcha de los Pingüinos (Penguins March) which took place in 2006. Calderón uses this setting to confront two generations which live in the same country, but that haven´t experienced the same story nor the same tragedies.
Santiago / Chile: Clase
ShowsTeatro PayróThere are two characters; a professor and a student who are inside the class, discussing their points of view on politics, while outside there is a student demonstration claiming for their rights. It is the famous Marcha de los Pingüinos (Penguins March) which took place in 2006. Calderón uses this setting to confront two generations which live in the same country, but that haven´t experienced the same story nor the same tragedies.
Out
Santiago / Chile: Diciembre
ShowsTeatro PayróDecember is one of the most impertinent plays of latin american theatre of the last years. This is the story of three brothers who in the year 2014, and during a war Chile is having against Peru and Bolivia, will have to discuss about politics and shall be forced to share their views on the concepts of commitment and nationalism since one of them has been called to join the army a day after Christmas. Simultaneously, as if this was not enough, the Mapuches in the south, succeeded in achieving the separation from the rest of the country and created their own state; Mapu.
Out
Santiago / Chile: Diciembre
ShowsTeatro PayróDecember is one of the most impertinent plays of latin american theatre of the last years. This is the story of three brothers who in the year 2014, and during a war Chile is having against Peru and Bolivia, will have to discuss about politics and shall be forced to share their views on the concepts of commitment and nationalism since one of them has been called to join the army a day after Christmas. Simultaneously, as if this was not enough, the Mapuches in the south, succeeded in achieving the separation from the rest of the country and created their own state; Mapu.
Out
Santiago / Chile: Diciembre
ShowsTeatro PayróDecember is one of the most impertinent plays of latin american theatre of the last years. This is the story of three brothers who in the year 2014, and during a war Chile is having against Peru and Bolivia, will have to discuss about politics and shall be forced to share their views on the concepts of commitment and nationalism since one of them has been called to join the army a day after Christmas. Simultaneously, as if this was not enough, the Mapuches in the south, succeeded in achieving the separation from the rest of the country and created their own state; Mapu.
Out
Santiago / Chile: Neva
ShowsTeatro PayróThe plot basis applied by Calderón to start a harsh critical debate about his country and the theatre is very simple. One afternoon in the winter season of 1905, at the royal city of Saint Petersburg, an actress named Olga Knipper, widow of the great Antón Chejov, is waiting for her company to arrive so as to start the rehearsals ofThe cherry garden. While she is crying alone, outside, Bloody Sunday is taking place.
Out
Santiago / Chile: Neva
ShowsTeatro PayróThe plot basis applied by Calderón to start a harsh critical debate about his country and the theatre is very simple. One afternoon in the winter season of 1905, at the royal city of Saint Petersburg, an actress named Olga Knipper, widow of the great Antón Chejov, is waiting for her company to arrive so as to start the rehearsals ofThe cherry garden. While she is crying alone, outside, Bloody Sunday is taking place.
Out
Santiago / Chile: Neva
ShowsTeatro PayróThe plot basis applied by Calderón to start a harsh critical debate about his country and the theatre is very simple. One afternoon in the winter season of 1905, at the royal city of Saint Petersburg, an actress named Olga Knipper, widow of the great Antón Chejov, is waiting for her company to arrive so as to start the rehearsals ofThe cherry garden. While she is crying alone, outside, Bloody Sunday is taking place.
Seoul / Corea: Hotel Splendid
ShowsTeatro San Martín - Sala Martín CoronadoThough the Cho-In Theatre Company has never used words before in its works, this play uses the words of the American poet and playwrighter who, with passion and poetry, tells the story of 200,000 women–most of them Korean–who were taken prisoners as sexual slaves by the Japanese army during World War II. This play is a tribute to all these women who, still today, want to be recognized and need to tell the world all the atrocities they have lived.
Seoul / Corea: Hotel Splendid
ShowsTeatro San Martín - Sala Martín CoronadoThough the Cho-In Theatre Company has never used words before in its works, this play uses the words of the American poet and playwrighter who, with passion and poetry, tells the story of 200,000 women–most of them Korean–who were taken prisoners as sexual slaves by the Japanese army during World War II. This play is a tribute to all these women who, still today, want to be recognized and need to tell the world all the atrocities they have lived.
Seoul / Corea: Hotel Splendid
ShowsTeatro San Martín - Sala Martín CoronadoThough the Cho-In Theatre Company has never used words before in its works, this play uses the words of the American poet and playwrighter who, with passion and poetry, tells the story of 200,000 women–most of them Korean–who were taken prisoners as sexual slaves by the Japanese army during World War II. This play is a tribute to all these women who, still today, want to be recognized and need to tell the world all the atrocities they have lived.
Wroclaw / Polonia: El caso Dantón / Sprawa Dantona
ShowsCiudad Cultural KonexKlata's stage production combines three time levels that overlap without suffering any conflict. On one hand,and through its costumes, it represents the Revolutionary France of 1789. On the other hand , and through the music, it makes reference to the cultural imaginary associated with May 1968, to finally give us a critical opinion of an impoverished city–that could be any city at all–at the present.
Wroclaw / Polonia: El caso Dantón / Sprawa Dantona
ShowsCiudad Cultural KonexKlata's stage production combines three time levels that overlap without suffering any conflict. On one hand,and through its costumes, it represents the Revolutionary France of 1789. On the other hand , and through the music, it makes reference to the cultural imaginary associated with May 1968, to finally give us a critical opinion of an impoverished city–that could be any city at all–at the present.
Wroclaw / Polonia: El caso Dantón / Sprawa Dantona
ShowsCiudad Cultural KonexKlata's stage production combines three time levels that overlap without suffering any conflict. On one hand,and through its costumes, it represents the Revolutionary France of 1789. On the other hand , and through the music, it makes reference to the cultural imaginary associated with May 1968, to finally give us a critical opinion of an impoverished city–that could be any city at all–at the present.