Yo, Duras

In its search for the intersection between the intimate and the strange (that’s already suggested in the title’s ambiguity), Gustavo Galuppo’s new film takes Marguerite Duras’ film and literary work as a starting point and places it in a vanishing point by linking it with other films, including the filmmaker’s own home footage. In the form of an essay that creates its own system of visual and c [...]

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