Hirsch - Programa 3

Born in Berlin, Germany, in 1928, she has been living in Argentina since very little. A pioneer of Argentine experimental cinema, she has expanded her activity in the ‘60s and ‘70s into installations, objects, performances, graffiti and urban intervention. In addition to the films screened at this year’s BAFICI, she directed Encuentro de hombres (1971) and La pasión (1992), among many others.

Born in Berlin, Germany, in 1928, she has been living in Argentina since very little. A pioneer of Argentine experimental cinema, she has expanded her activity in the ‘60s and ‘70s into installations, objects, performances, graffiti and urban intervention. In addition to the films screened at this year’s BAFICI, she directed Encuentro de hombres (1971) and La pasión (1992), among many others.

Born in Berlin, Germany, in 1928, she has been living in Argentina since very little. A pioneer of Argentine experimental cinema, she has expanded her activity in the ‘60s and ‘70s into installations, objects, performances, graffiti and urban intervention. In addition to the films screened at this year’s BAFICI, she directed Encuentro de hombres (1971) and La pasión (1992), among many others.

Born in Berlin, Germany, in 1928, she has been living in Argentina since very little. A pioneer of Argentine experimental cinema, she has expanded her activity in the ‘60s and ‘70s into installations, objects, performances, graffiti and urban intervention. In addition to the films screened at this year’s BAFICI, she directed Encuentro de hombres (1971) and La pasión (1992), among many others.

Born in Berlin, Germany, in 1928, she has been living in Argentina since very little. A pioneer of Argentine experimental cinema, she has expanded her activity in the ‘60s and ‘70s into installations, objects, performances, graffiti and urban intervention. In addition to the films screened at this year’s BAFICI, she directed Encuentro de hombres (1971) and La pasión (1992), among many others.

Born in Berlin, Germany, in 1928, she has been living in Argentina since very little. A pioneer of Argentine experimental cinema, she has expanded her activity in the ‘60s and ‘70s into installations, objects, performances, graffiti and urban intervention. In addition to the films screened at this year’s BAFICI, she directed Encuentro de hombres (1971) and La pasión (1992), among many others.