Day by Day
top october 11
From the llama to the concept
WorkshopsEl cuboWorkshops require previous inscription and selection, open until September 25th. For further information please write to: talleresfiba@festivales.gob.ar.
Presentation, contextualization and description of new perspectives of contemporary languages in the theatrical creation in Bolivia.
Eduardo Calla and Diego Aramburo – Cochabamba – La Paz / Bolivia
Time: from 10am to 2pm
This workshop lasts 2 days: October 10th and 11th.
Mapiko dance and masks
WorkshopsSala Ana ItelmanWorkshops require previous inscription and selection, open until September 25th. For further information please write to: talleresfiba@festivales.gob.ar
Mapiko’s dance is originally from Cabo Delgado, a province situated in the north of Mozambique. It has been created by men, as a way of confronting women, who were the ones that had the power in that community, since they cultivated the land and carried their children in their wombs.
Lucrecia Paco – Maputo / Mozambique
Time. from 10:30am to 12:30am
This workshop lasts 2 days: October 11th and 12th.
Relationship between live music and theater
WorkshopsTeatro del PasilloWorkshops require previous inscription and selection, open until September 25th. For further information please write to: talleresfiba@festivales.gob.ar
In Jean la chance’s staging, the music is endogenous to the show and its interpreters are exogenous to the story; there is nothing in it that indicates its presence. In the first scene of the play, a radical decision is taken as regards Bertolt Brecht’s text, since the main character disappears. The aim of the workshop is to discuss the strengths and weaknesses of this proposal.
François Orsoni - Ajaccio (Córcega) / France
Time: from 10:30am to 1:30pm
The creative actor
WorkshopsAndamio 90'Workshops require previous inscription and selection, open until September 25th. For further information please write to: talleresfiba@festivales.gob.ar.
The objective of this workshop is to provide contemporaries with techniques and mechanisms of their own making to strenghten their dramatic capacity and potential. A space for practical reflection on the actor’s rol, his potentials and limits.
Time: from 11am to 2pm
This workshop lasts 2 days: October 10th and 11th.
Tradicional Mozambiquean music
WorkshopsEspacio EclécticoWorkshops require previous inscription and selection, open until September 25th. For further information please write to: talleresfiba@festivales.gob.ar
This workshop is aimed at musicians who attend the workshop with their own instruments so that they can get into the mozambiquean’s rhythms, melodies and history of the traditional instruments of this culture.
Cheny Wa Gune – Maputo / Mozambique
Time: from 11am to 1pm
This workshop lasts 2 days: October 11th and 12th.
Intikam Melegi - Kadin Hamlet (1977)
Hamlet CameraHarrodsIntikam Melegi - Kadin Hamlet (1977)
Turkey, 86 minutes
Direction: Metin Erksan
Script: Metin Erksan
Cinematography: Cahit Engin
Cast: Fatma Girik, Reha Yurdakul, Sevda Ferdag, Ali Cagaloglu, Ihsan Gedik, Coskun Gôgen, Ekrem Gökkaya, Yüksel Gözen, Önder Güç, Senem Kayra and Ahmet Kostarika
Once again, a female Hamlet though this time, it is a Hamlet who plays with the avant-garde until turning tragedy into a hilarious pop cocktail, musical included. Not much remembered outside his own country (where he is considered a cult director), Erksan was one of the first turkish film-makers in accusing the influence of modern european films.
Hamlet (1964)
Hamlet CameraHarrodsHamlet (1964)
Argentina, 31 minutes.
Direction: David Stivel
Script: María Luz Regás and David Stivel.
Cast: Alfredo Alcón, Violeta Antier, Guillermo Bredeston, Ovidio Fuentes, Ernesto Bianco, Bárbara Mujica, Ubaldo Martínez, Jorge Rivera López, Carlos Carella, Juan Carlos Gené, Julio De Grazia, Pepe Soriano, Oscar Rovito and Fernando Siro.
In the sixties, Canal 13 produced a series of specials based on theater classics, among which was Shakespeare’s tragedy Hamlet, with modern costumes and set up. The broadcast became the success of the year, with a rate share of 52,8. The TV show was also edited in a 45RPM disc. Unfortunately, due to the lack of preservation’s policies of TV files , just a few fragments of the show remained. This was thanks to a private collector.
Hamlet, ciganski princ (2007)
Hamlet CameraHarrodsHamlet, ciganki princ (2007)
Serbia, 105 minutes
Direction: Aleksandar Rajkovic
Script: Aleksandar Rajkovic, Dusica Zegarac and Ana Marija Jarmoljuk
Cinematography: Milad Tauk
Music: Dragan Kresic
Cast: Igor Ðordevic, Petar Božovic, Miodrag Fišekovic, Suzana Petrovic, Mirjana Šišic, Srdan Bošnjakovic, Zoran Kostic, Miroslav Simic and Predrag Novak
www.filmhamlet.com
The drama takes place in a local rubbish dump. The protagonists are gypsies precariously established in Belgrado’s sorroundings. The conflic arises not because of the throne but the control over the remains of urban life. A cast integrated, mostly, by non-professional actors gives life to a tragedy that radically changes sign.
Barcelona / España: Crónica sentimental de España
ShowsTeatro San Martín - Sala CasacubertaSongs don´t lie. Based on this slogan, Albertí creates this performance which is neither theatrical nor musical, but a mixture of both. It is so symbiotic that it turns it weird; but the audience will be moved by Spain’s story told through its melodies and songs, being this a way to acknowledge our own identity.
Out
Buenos Aires / Argentina: Rodando
ShowsNoAvestruzThe question about the genre of this performance has no answer. Is it theatre? Is it an oral narration? Is it telling the story of a movie ? Because this “one man show for a man in a wheelchair,” as defined by the authors, is a detailed description and narration of a road movie genre film being shot and projected through its words and gestures.
Ajaccio (Córcega) / France: Juan la Suerte / Jean la Chance
ShowsTeatro RegioThe script, which was incomplete and unknown until the late 90´s, was written by Bertolt Brecht in his first period, while living at Baviera, right after writting Baal and just before Drums in the night. He was inspired by the story of Hans in Glück written by the Grimm brothers. His aim was to show the critical insights he had about commerce. Orsoni makes his own version, essentially using music to tell the story and thus, being able to work the scene with a certain distance.
Out
Buenos Aires / Argentina: Cariño yacaré
ShowsTeatro AnfitriónDuring an air strike in Hollywood a mother, that could be Bette Davis or Joan Crawford, seeks shelter with her daughter in a swamp faraway. There, the actress will evoke the successful years of her career, destroying the self-esteem of her miserable daughter.
Seoul / Corea: Hotel Splendid
ShowsTeatro San Martín - Sala Martín CoronadoThough the Cho-In Theatre Company has never used words before in its works, this play uses the words of the American poet and playwrighter who, with passion and poetry, tells the story of 200,000 women–most of them Korean–who were taken prisoners as sexual slaves by the Japanese army during World War II. This play is a tribute to all these women who, still today, want to be recognized and need to tell the world all the atrocities they have lived.
Wroclaw / Polonia: El caso Dantón / Sprawa Dantona
ShowsCiudad Cultural KonexKlata's stage production combines three time levels that overlap without suffering any conflict. On one hand,and through its costumes, it represents the Revolutionary France of 1789. On the other hand , and through the music, it makes reference to the cultural imaginary associated with May 1968, to finally give us a critical opinion of an impoverished city–that could be any city at all–at the present.
Out
ASUNCIÓN/ PARAGUAY: La secreta obscenidad de cada día
ShowsBeckett TeatroA park bench is the only element on stage where two men, who are dressed in suggestive outfits, are waiting for students to come out of school. Two overcoats hide an obscenity which is sexual, but that it may turn ideological for these two men whose names are, significantly, Charles(Marx) and Sigmund (Freud).
Out
Buenos Aires / Argentina: Dóciles y útiles
ShowsIUNA - Sede VenezuelaThe institution these automats belong to, has decided to organise the 11th Inter-State Contest and demands, for the event to be successful, that their young bodies produce all the necessary they need, in order to win. Those who disobey will be murdered. This performance shows, through humour, the whole universe of production by putting special emphasis on the alienation and the human being’s loss of essence.
Out
Buenos Aires / Argentina: Tualet
ShowsEspacio CallejónThrough a very special lighting, Onofri presents a space that is not totally defined, since the floating lighting panel provides light to a defined point and, simultaneously, the lights fades away as a way to deny the sensation of having limits; the limit that is exactly opposed to that of the chemical toilet where dancers get in and, by means of very precise and tiny movements, start expressing themselves between the obstacles placed by toilet elements that block and fill the existing 1 square meter room.
Hamlet (1969)
Hamlet CameraHarrodsHamlet (1969)
Great Britain, 117 minutes
Direction: Tony Richardson
Script : Tony Richardson
Production: Hans Gottschalk, Neil Hartley, Leslie Linder and Martin Ransohoff
Cinematography: Gerry Fisher
Staging: Charles Rees
Production design: Jocelyn Herbert
Cast : Nicol Williamson, Judy Parfitt, Anthony Hopkins, Marianne Faithfull, Mark Dignam, Michael Pennington, Gordon Jackson, Ben Aris, Anjelica Huston
Because of the Roundhouse Theatre’s production, Williamson was considered the best Hamlet since Gielgud. Scholars agree that Gielgud and Burton were the last two colossal actors to play this role in the 20th Century. In the film version the phlegmatic Anthony Hopkins coexists with the bloody Marianne Faithfull.
Out
Buenos Aires / Argentina: Testigos
ShowsTeatro del AbastoA raid is the basis of the story used to show both, the shameless way in which the police and justice act in certain areas, while, on the other side it is the display of a subjective dimension of time. The true effect of the raid marks an exception in time which makes a crumbling effect in the painful everyday routine; even allowing “to replay” scenes and to mix events. Because of this, modifications in the plot are possible.
Out
Buenos Aires / Argentina: body Art
ShowsElkafka Espacio TeatralTwo artists decide to evoke, through this performance, the time they used to be a couple. From that situation, Rodríguez Seoane and Israilevich put on stage a display of criticism to art and its related vanity fair, as well as unveiling the sense of superficiality prevailing in the present cultural universe.
Out
Buenos Aires / Argentina: Dóciles y útiles
ShowsIUNA - Sede VenezuelaThe institution these automats belong to, has decided to organise the 11th Inter-State Contest and demands, for the event to be successful, that their young bodies produce all the necessary they need, in order to win. Those who disobey will be murdered. This performance shows, through humour, the whole universe of production by putting special emphasis on the alienation and the human being’s loss of essence.