Un mundo misterioso

The first sequence in Rodrigo Moreno’s second film might be one of the most beautiful breakups in recent cinema (except for Boris, the dumped one whose errant journey from then on will be the main issue in A Mysterious World). It might sound excessive, but it does irradiate a beauty that expands to the whole film because it is visceral, instinctive, lacerating, like something captured from thos [...]

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