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Portuguese cinema’s energy and talent in recent years has been championed by certain names that constantly headline the audience’s preferences: Miguel Gomes (Our Beloved Month of August, released in Buenos Aires last year), João Pedro Rodrigues (To Die Like a Man, released this year), Manuel Mozos (Ruinas), Hugo Vieira da Silva (Body Rice, Swans) or João Nicolau (A espada e a rosa) But it also holds other people who deserve more attention. In fact, there’s a common name behind many of these films (on top of them, thanks to them): Sandro Aguilar.